Watch Empire (1965) Online Free
Filmed by Jonas Mekas from the 44th floor of the Time-Life Building, “Empire” explores the passage of time without the use of characters or a traditional narrative. The film, that consists of one stationary shot of the Empire State Building, was made from standard 1,200-foot rolls of 16mm film with a more than eight-hour runtime.
Cast
Jonas Mekas, Andy Warhol
More Like This
Vacation
Dream and deficiency, a letter without recipient.
2025
Darwin's Darlings
Standing near the reptile section in a zoo we can learn a lot about the animals on both sides of the separating glass.
2025
Dancing not to be dead
Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.
2024
behind the scenes
An experimental documentary/animation hybrid exploring likeness scanning, AI, and what that means for identity.
2024
59th second
This experimental film takes a closer look through the entomologist's lens at the cyclical behavioural patterns linking humans to the insect world. Just as the fig wasp inevitably finds death in the pollination of the fig tree flower, we too are thrown into the dance of passion and death. Drawn by the seductive scent of allurement and the inevitability of the final end.
2024
Basin of Souls
Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.
2024
City with Dreams of the Sea
Short film of a general landscape about the saturation of the city. 35mm.
2024
AEOLUS
2024
Once Faithful
Days slip away in a former baptist church haunted by its past
2024
La Rodilla del Diablo
2023
Anhell69
A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.
2023
Here We Are
A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.
2023
Casual Workers
An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19
2020
The Red Bank. James Joyce: His Greek Notebooks
This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”
2013
Le crash
2012
One 11 and 103
Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.
1992
New York Portrait, Chapter III
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
1990
New York Portrait, Chapter II
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
1981
Café au Lait
Pride & Snide
A contrast between two kinds of attitudes to gay liberation in Adelaide.
1976