
In this sequel to DONOVAN 17: THE WEEKEND WARS, after the clones, created by the Alien Surf Dude, questioned the purposes given to them, they decided to return to space, however, with The Brilliant Brick still lost in space, the few clones left must wait, uncertain whether to stay on Earth or go to space... These clones are the night clones... but are they the right clones?
2026

A college-going student goes through immense trauma, anxiety and fatigue and is trying to take break. He begins a narration with him walking in places he finds his peace of mind in.
2026

completely giving up, dying alone, rejecting love but not for hate, celibacy, abandoning god, god abandoning you, your idols hating you, poison, love leaving you behind, only knowing hate but not hating others, self sabotage, vomit gore in slow motion, dsbm for angels, clouds of weed smoke in the palest blue sky, not knowing when to stop, knowing you went too far, knowing you cared too much, no one else caring enough, a tiny note at the bottom of a dime bag that reads "i hate you"
2026

The extraordinary true legend of Ann Lee, founder of the devotional sect known as the Shakers, who preached gender and social equality and was revered by her followers as the female Christ.
2025

2025

A gender-reversed, modern adaptation of the Greek myth Pygmalion. This time, instead of the sculptor who has sworn off marriage in his hatred of women, we find our hero in a young, depressed female writer who lives alone. After her own mythic relationship with her lover ends poorly, she struggles to go outside. Too afraid to act when she sees her dreamy neighbor, she stays inside, she watches, and she writes.
2025

Transformation.
2024

Fleshworm Dreams is a trippy, kaleidoscopic visual experience that pairs with an abstract, experimental nature record. Think of it like looking through a constantly shifting kaleidoscope—vibrant colors, strange shapes, and mesmerizing patterns swirling together in a beautiful, almost hypnotic way. It’s a chill, weird, and visually stunning ride, where the lines between nature and imagination blur.
2024

A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Letting life choose for him, as part of the art itself and coming to terms with his decisions.
2024

An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.
2022

A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the same name.
2021

We travel with the head of a wild boar on a cosmic adventure through the homes of others to learn about family, ghosts, and what it means to be.
2020

A recollection of East-African Asian displacement in the 1970s to an ambient score.
2019

An ambient representation of depression with a slowly fading score building towards an uncertain climax.
2017

A non-narrative short film tracking the movement of a flock of women through a megalithic landscape. They appear to be working, enacting a cryptic ceremony with a sense of calm & purposeful labor. A score weaving together their breath & hums with sounds collected from the landscape: wind, Rattlesnake grass & their hands rubbing against stone. The women's gestures come from both work & dance – evoking the strange overlap between labor & ritual. This film began as a response to the physicality of daily life as a mother & the rhythm of these acts; the relentless repetition of parenting, working, tending the world with our bodies. This repetition can easily become vacant labor, but it can also transform into a kind of meditative, even transcendent ritual, a collective communion with the landscape & each other. ALMA offers itself as a companion piece to McKenna’s photographic rubbings, a glimpse into the same world from where her art arises.
2017

Music live performance of Ryuichi Sakamoto and Alva Noto at the Glass House.
2016

Fourth in the IMA Portraits series, this short introduces us to the life and work of electronic/contemporary composer Eliane Radigue. Radigue discusses methods of composition, the challenges and difficulties of live electronic music, as well as biographical episodes with Pierre Henry and her own goals in soundscape production and consumption.
2006

this film is a haunting document of social and spiritual drought. Through high-contrast imagery and a lingering, funeral-march pace, it explores the finality of exile. It isn't a story of survival, but a quiet, rhythmic surrender to the inevitable horizon."

A road movie shot in Morocco, KOCHAB also serves as a long-form music video. It features five tracks from Kahimi's latest album, NUNKI.
2006

Filmed during the months of June and August 1984 in the Glen Canyon National Recreation Area, Mesa Verde National Park and the Navajo Nation. This program reveals scenes of the lushness of California's summer accompanied by the music of Windham Hill artists, William Ackerman, Alex de Grassi, Mark Isham, Shadowfax, and Liz Story.
1984