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This opera was filmed live at La Scala in 1992. The all-star cast includes Luciano Pavarotti, Samuel Ramey, aolo Coni, Daniela Dessi, Luciana d'Intio, and Alexander Anismov. Riccardo Muti conducts.
Luciano Pavarotti, Samuel Ramey, Daniela Dessì, Paolo Coni, Alexander Anisimov, Antonio Silvestrelli, Luciana D'Intino, Marilena Laurenza, Nuccia Focile

“In a world that often demands certainty, Dialogues des Carmélites invites us to sit with profound questions that have no easy answers: What makes a life worthy? How can we be truly prepared for our inevitable end? What does security mean when everything familiar is threatened? What sustains us when our institutions crumble? … Rather than imposing answers, the opera creates room for reflection on how faith manifests not as abstract doctrine, but as lived experience under extraordinary pressure.” — Louisa Muller, Director’s Note. Juilliard Opera directed by Louisa Muller. Matthew Aucoin conducts the Juilliard Orchestra. Performed and recorded on April 26, 2025 at the Peter Jay Sharp Theater. Dialogues des Carmélites, an opera by Francis Poulenc. Libretto adapted by the composer.
2025

Riccardo Chailly inaugurates the 2024-2025 Opera Season with a new production of La forza del destino, conducting his ninth Verdi title at La Scala. Leo Muscato will direct yet another cast of extraordinary prestige. A complex opera in terms of dramaturgy, first performed in St. Petersburg in 1862 and debuting in its final form at La Scala in 1869 with the creation of the famous overture, La forza del destino offers some of the most memorable Verdi melodies. It has been absent from the programme since the Verdi centennial in 2001, when it was brought to La Scala by the artists of the Mariinsky Theatre of St. Petersburg; the La Scala Orchestra and Choir have not performed it since 1999.
2024

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.
2023

In the court of Princess Turandot, suitors who fail to solve her riddles are brutally killed. But when a mysterious Prince answers correctly, suddenly he holds all the power – and a glorious secret. When life hangs in the balance, can love conquer all?
2023

As the saying goes, “Shakespeare invented him, Verdi made him immortal” – and, surely, it was Bryn Terfel who defined him. Terfel first sung Falstaff in 1999, and in 2021, the bass-baritone superstar returns once more to the role at Grange Park Opera. In a production by Stephen Medcalf first shown in the 17th century Farnese theatre in Parma in 2011 with designs that are truly Falstaffian including sensational backcloths by Italian supremo Rinaldo Rinaldi.
2021

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
2021

Offenbach’s mockery of bourgeois ideals, the sublimity of music and the institution of marriage ensures that the moralistic sermonizing of ‘Public Opinion’ falls on deaf ears. The mysterious figure of John Styx tells the story of behind-the-times Orpheus and his hacked-off Eurydice, of gods and goddesses seeking diversion, jaded with humdrum life in Olympus. He tells of the rebellion in the pantheon, which Jupiter adeptly averts by promising an amusement for his entourage. Burning with curiosity to see the beauteous captive and the contest between Jupiter and Pluto for Eurydice’s favour, the illustrious company embarks on an infernal ride to the underworld that culminates in what is surely the most wellknown can-can in the history of music. And what of Eurydice? She ends up putting a spoke in everyone’s wheel…
2020

The Gershwins’ modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.
2020

A filmed performance of the January 2016 world premiere production of Toshio Hosokawa's opera dedicated to the victims of the 2011 earthquake and tsunami.
2017

The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.
2012

Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.
2011

‘Nabucco’, or ‘Nebuchadnezzar’ (Italian: Nabucco), is an opera by Giuseppe Verdi with a libretto by T. Solera, based on events described in the Bible. (Nabucco is a shortened Italian rendering of the name of King Nebuchadnezzar II). It was this opera, the third in Verdi’s oeuvre, that brought him true fame. It tells of the tribulations of the Jews, their captivity by the Babylonians, and their subsequent release to their homeland by Nebuchadnezzar, King of Babylon. Giuseppe Verdi’s opera ‘Nabucco’, is a monumental work that tells the story of the enslavement of the Hebrew people by the Babylonian king Nebuchadnezzar (Nabucco) and their journey towards redemption. The premiere took place on 9 March 1842 at La Scala in Milan. The first performance of the final version was held at the Teatro San Giacomo in Corfu in September 1844. From the box set of 27 Verdi operas, ‘Tutto Verdi’. Recorded live at the Teatro Regio in Parma, 12–14 October 2009.
2009

Live from La Scala Saturday 07 July 2007. In this live performance of Giuseppe Verdi's opera, Violetta, a courtesan much wooed by Parisian society, organises a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man.
2007

Part of Tutto Verdi series - Macbeth (2006) Parma. Macbeth is one of the most multi-layered, profound and demanding roles that Verdi ever wrote for a baritone and the Italian singer Leo Nucci is arguably the most distinguished in his field. The role has repeatedly brought him lasting success and he enacts it with an intensity that only the very experienced stage personality can muster. French singer Sylvie Valayre is known for her versatile interpretations of spinto and dramatic coloratura soprano parts, especially for particularly gruelling roles like Lady Macbeth. Supported by Italian bass Enrico Iori as Banco and tenor Roberto Iuliano as Macduff, they make up a wonderful cast under the baton of Bruno Bartoletti, musical director of the Teatro Regio di Parma.
2006

José Cura, Dmitri Hvorostovsky, Verónica Villarroel and Yvonne Naef lead the star cast of Verdi's blazingly passionate opera IL TROVATORE, in Elijah Moshinsky's new Royal Opera House production co-produced with Teatro Real Madrid, with sets by the noted film designer Dante Ferretti and costumes by Anne Tilby.
2002
Conducted by Riccardo Muti, the master of the Scala in Milan for twenty years, the Verdian melodrama unfolds before our eyes. This Cavani's approach is ageless and excellence is pre-eminent: to start with, the role of Riccardo is played by the wonderful Salvatore Licitra. As for Maria Guleghina, she plays an exceptionally good Amelia. Riccardo Muti proves once again what a wonderful Verdian he is.
2001

The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.
1992

An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
1981

A Victor Hugo play, haunting and scandalous, provided the inspiration for Verdi’s mid-career masterpiece. A vengeful but misguided court jester strives to save his daughter from a duke’s licentious clutches, but can't part with the feeling that a curse looms over all of his actions. In Rigoletto, the composer introduces several of his most iconic arias and duets—as well as an 11th-hour quartet that counts among the finest moments in opera.
1977

Captain's daughter Josephine and common sailor Ralph Rackstraw are in love. However, their relationship is complicated by her arranged marriage to the high-ranking Sir Joseph Porter. A secret about the characters' true identities revealed by Little Buttercup, which leads to a farcical resolution.
1970