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The Making of Michel Petite
The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.
2025
A Small Passage of Time
An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.
2025
HEAST
A portrait of Austria captured with a broken camera, accompanied by an enhanced and AI-generated version of the national anthem.
2025
Running Fields II
Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.
2024
Running Fields
Three images of a person running in the void through the movement of speed and abstract images
2024
Srećan Put
A playful engagement with memory and moving images, employing experimental visuals, voice journals, and staged dialogs.
2023
The Afterlife
A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.
2023
Grid
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
2021
Casual Workers
An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19
2020
Butterfly 360°
The 360° project tells the story of a peaceful environment featuring a rare case phenomena where a swarm of butterflies is nurturing itself by eating the nectar of flowers showing the beauty but also the fragility of a complex ecosystem. The video installation is configured to work as an interactive 360° experience where the spectator can view the untouched nature by moving / grabbing / touching the nature by his/her hands (mouse) but offers also the possibility to be screened large scale as a flat video loop on a wall, building or in cinema.
2020
Three Chords and the Truth
The passionate advocates of the ‘Cigar Box Guitar Revolution’ express their love of making unique instruments and the democratic, re-cycling ethos of the movement. Many are from the UK’s northern, post-industrial towns, recreating self-identity through hand-made guitars. Their emotional connection with their instruments creates a unique sound which is quite magical. A cinematic short, subsequently commissioned by the BBC as Cigar Box Blues. Festivals include: Woodstock, Nashville, Albuquerque (Honourable Mention)
2019
PROTOTYPE
As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.
2017
Popsong
The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.
2016
The Red Bank. James Joyce: His Greek Notebooks
This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”
2013
München, Raphaela
A film about a young woman's future plans in Munich, Germany. MUNCHEN, RAPHAELA (also known as RAPHAELA RING MUNCHEN) is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker Kevin Jerome Everson).
2006
New York Portrait, Chapter III
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
1990
Brise-glace : Bateau givre
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.
1987
New York Portrait, Chapter II
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
1981
Heterodyne
“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton
1967
Berlin: Symphony of a Great City
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
1927