Watch Depeche Mode: 1999–2002 “Presenting the Intimate and Delicate Side of Depeche Mode” (2007) Online Free

Depeche Mode: M

Depeche Mode: M captures the band's 2023 Mexico City shows, blending concert footage with interstitial elements, exploring music, mortality, and Mexican culture's relationship with death.

2025

Spirits in the Forest

A look at Depeche Mode's final moments of their 2017 Global Spirit Tour, featuring intimate stories from select fans.

2019

Viacrucis Migrante

A documentary film about men, women, and children fleeing northward from the existential threats in their home countries of Honduras, El Salvador, and Guatemala. They embark on a perilous journey with an uncertain outcome. Shortly after crossing the southern Mexican border, they find shelter with people who want to help them survive the ordeal of the at least 1,700-kilometer journey to the US.

2017

Depeche Mode: Video Singles Collection

The complete collection of Depeche Modes videos.

2016

Kalter Krieg der Konzerte - Wie Bruce Springsteen den Osten rockte

Berlin, summer 1988: While Michael Jackson and Pink Floyd perform in the West, East Berliners can look forward to Bruce Springsteen, Depeche Mode and James Brown. The documentary reveals how the organizers enforced the concerts with the state authorities. On the anniversary of the fall of the Wall.

2013

Depeche Mode: Tour of the Universe — Live in Barcelona

21 tracks recorded over two sold out nights at the Palau St Jordi in Barcelona on November 20th and 21st 2009, both shows being highlights of the celebrated tour. Also included are a host of bonus content including four bonus tracks recorded across the two nights and a tour documentary.

2009

Oil Rocks: City Above the Sea

"Oil Rocks" - behind the enigmatic name lies the first and largest offshore oil-platform ever built, a vast city in the middle of the Caspian Sea, built by Stalin in 1949. 60 years on, "Oil Rocks" is still operational and the first western film crew ever receives access. Just imagine: 200 kilometers of bridges, thousands of oil workers, hundreds of platforms, up to nine-story buildings, a park and sports field, nothing less then an oil-rig Atlantis, only real. Combining archive footage from the Soviet era and the exclusive new footage, the film tells the story of this timeless place and it's inhabitants.

2009

Depeche Mode: 2008–11 “Usual Thing, Try and Get the Question in the Answer”

"Usual thing, try and get the question in the answer" - A conversation with the band discussing recording techniques, inter cut with personal archive footage from previous album sessions.

2009

Yard Work Is Hard Work

A musical that explores, in glorious color and song, the simultaneous disillusionment and hope of eternal love in the face of an economic crisis.

2008

Depeche Mode: 1995–98 “Oh, Well, That's the End of the Band…”

"Oh, Well, That's The End Of The Band…" - A short film documenting the personal and professional aftermath of Alan Wilder's decision to leave Depeche Mode; the story of the fledgling attempts to get the band recording again, and the tale of Dave Gahan's descent toward 'rock bottom' and his subsequent conquering of his demons. The resultant album, Ultra, was formed, like all the best Depeche Mode records, in a very different style to those which had gone before.

2007

Depeche Mode: Rock am Ring

2006

Depeche Mode: 1983 “Teenagers Growing Up, Bad Government… and All That Stuff.”

"Teenagers Growing Up, Bad Government… And All That Stuff" - While Alan Wilder becomes a full member of Depeche Mode, the band experiment with new sounds through sampling, for their third album "Construction Time Again".

2006

Depeche Mode: One Night in Paris

This video release by Depeche Mode features an entire concert from their 2001 Exciter Tour, shot at the Palais Omnisports de Paris-Bercy on 9 and 10 October 2001.

2002

Depeche Mode: Devotional

This video release by Depeche Mode features almost an entire concert from their 1993-1994 Devotional Tour, filmed in Barcelona, Liévin and Frankfurt.

1993

Depeche Mode 101

A fascinating documentary focusing on backstage realities of art and business during the British synthesizer band's 1988 American tour.

1989

Depeche Mode - Live at Hammersmith Odeon 1982

Hammersmith Odeon, London on October, 25th 1982 Tracklist: Oberkorn (It's A Small Town) , My Secret Garden , See You , Satellite , New Life , Boys Say Go! , Tora! Tora! Tora! , Nothing To Fear , Leave In Silence , Shouldn't Have Done That , The Meaning Of Love , Just Can't Get Enough , A Photograph Of You , The Sun & The Rainfall

1982

O Aleijadinho

O Aleijadinho, a study of the work of Antonio Francisco Lisboa, the architect whose cathedral de Andrade had assisted in the restoration of more than 20 years earlier. de Andrade dedicated the film to his father, who had sent him on the expedition.

1978

Brasilia, Contradictions of a New City

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

1968

Moonlight Serenade

A sweet inn-keeper's daughter falls in love with a woodcutter, but witnesses the woodcutter's brother raping her sister. Tragically, the sister commits suicide in shame, and the rapists turn his attentions to the witness, leading to more danger than most romantic dramas can handle.

1967

Visite à Oscar Dominguez

This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.

1947