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Hélène Trésore Transnationale
In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.
2026
Memory For Burial
Surviving against all odds. In 1940, Benjamin Orenstein, just a teenager, was sent to his first concentration camp in Poland. It was the beginning of a journey that would mark him for life. After years of silence, he now bears witness to one of the darkest chapters in history.
2025
Fragmentary
In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.
2024
Coluche, la véritable histoire d'un mec
2024
Passeurs de vies
2024
Camionneuse
Zina left Algeria to fulfill her childhood dream of driving trucks. At every turn, her cabin becomes a space of freedom and the highway a battlefield.
2024
Zucchero | Sugar Fornaciari
The documentary film tells the story of Zucchero Sugar Fornaciari through his words and those of colleagues and friends such as Bono, Sting, Brian May, Paul Young, Andrea Bocelli, Salmo, Francesco Guccini, Francesco De Gregori, Roberto Baggio, Jack Savoretti, Don Was, Randy Jackson and Corrado Rustici. A journey of the soul which, thanks to images coming from Zucchero's private archives and from the "World Wild Tour", his last and triumphant world tour, goes beyond the portrait of a successful musician reaching into the doubts and fragilities of 'man.
2023
Hannah Arendt, la liberté d'être libre
In a time of resurgence of social protests, political radicalization and distrust of power, Arendt's thought has never been more relevant: A critical thinker according to some or a conservative according to others, this great figure of the intellectual world remains, in many ways, an enigma. Who was Hannah Arendt?
2023
Rainbow Family
Siblings Aru, age 3, and Kino, age 1, have 3 parents: father Fumino, who is transgender; mother Honoyo, Fumino's partner who gave birth to the children; and father Gon, a close gay friend who donated his sperm. The 3 are now raising their children together, struggling repeatedly to find their own way of being a family. This program covers their first 3 years of parenting. And it asks an important question: What does it take to be a family?
2022
Comme une feuille au vent, Jasmin
Jasmin is joy, living in the moment. A 15-year-old boy described as "non-verbal autistic." He communicates through his eyes. He makes sounds, says a word. He constantly sings the rhythm of a song whose lyrics only he knows. A bubble of sweetness and love.
2021
The 10 Minute Project
An experimental project made up of 10 minute silent portraits with 60+ participants.
2017
Ines, Memories of a Lifetime
When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.
2014
Show!
A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”
2013
Dawn Anna
The true story of a single mom who overcomes many of life's obstacles.
2005
Ne meurs pas
2003
Love, Josh
chronicles the life of Josh Keogh, a 15-year-old whose family was shattered when his father died of liver cancer only six weeks after being diagnosed. Filmed over the course of a year, the documentary begins only a few months after James Keogh's death and candidly captures the emotions the grieving son hid from his family and friends.
2001
Wit
A renowned professor is forced to reassess her life when she is diagnosed with terminal ovarian cancer.
2001
Le Village au cimetière
A village in Brittany. During the ten days leading up to All Souls Day, we can see it in its entirety "inhabiting" the cemetery, going from gravestone to gravestone for the rituals of cleaning, flowering and praying. Telling its story through its faces, its voices and its ambulations.
1994
Det er godt at have sin egen konto
1974
Stop for Bud
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
1963