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a film about memories & showering.
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Produced by Cajo Production & Friends of the Port Reitz School This documentary focuses on the ascent of Mount Kilimanjaro, organized by the 'Friends of the Port Reitz School' foundation. It follows the journey of a group of people with disabilities, including Wendy, who lost a leg.
memory consolidation 02
memory consolidation 02
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Fragmentary
In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.
2024
Zucchero | Sugar Fornaciari
The documentary film tells the story of Zucchero Sugar Fornaciari through his words and those of colleagues and friends such as Bono, Sting, Brian May, Paul Young, Andrea Bocelli, Salmo, Francesco Guccini, Francesco De Gregori, Roberto Baggio, Jack Savoretti, Don Was, Randy Jackson and Corrado Rustici. A journey of the soul which, thanks to images coming from Zucchero's private archives and from the "World Wild Tour", his last and triumphant world tour, goes beyond the portrait of a successful musician reaching into the doubts and fragilities of 'man.
2023
Rode Duivels op WK 1998: Niet verloren, maar ook niets gewonnen
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Eric Escoffier, la Fureur de Vivre
2019
De Gemiste Kans, EK 2016
2019
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2019
Charleroi, the Land of 60 Mountains
This is the portrait of an industrial city with its collapses, mutations, landscapes and language. A film that features René Magritte, a camp of homeless people, key figures in urban revival, the inventor of the Big Bang, Les Zèbres (Royal Charleroi Sporting Club) , socialism, the mute astonishment of childhood…
2018
Motel
As Niagara Falls transformed from honeymoon capital of the world to Las Vegas North, corporate hotel chains and casinos cast a long shadow over the independent motels that once populated the town. The Continental survived the transition by converting its rooms into affordable housing units, becoming a home for those with few places to go. The night manager, Brian, once a freelance photographer who survived the horrors of war in Vietnam, shares his duties with his colleague Linda. Together they manage both the Continental and the individual struggles of its tenants, providing more than a roof over the heads of those who live under their supervision. Bringing a fresh focus to one of the most photographed places on Earth, director and cinematographer Jesse McCracken develops an intimate and caring portrait of the residents of this modest micro-community set against the backdrop of neon-lit tourist attractions.
2017
Stone Street
Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.
2012
Life on the Tracks
Riles is a documentary about the life of a riles resident, Eddie, in a squatter area along the railroad tracks within the downtrodden section of Balic-balik, Manila.
2003
Losing It
Tracking missing socks in the European Union.
1999
Mama General
A film about poverty in a rich country: father, mother, seven children have made it out of the homeless asylum. The author met the Cologne family B. for the first time in 1976. Living with debts, installments, reminders, living with the certainty that the children will not fare any differently. For more than twenty years, between dreams and fears, the camera recorded two generations' fear of failure and hunger for middle class. A unique film chronicle from the "latest economic miracle" - between 1976 and 1997.
1997
Tero Sandin elämä
Tero Sand was attached to a life-support machine for 28 years but managed to get recognition as an expert both in medicine and geology. In this documentary Sand's life is constructed using interviews and archival clips. The film is a sequel to the documentary Haluan vain elää.
1996
Laurent Terzieff et compagnie
Documentary showing Laurent Terzieff's theatre company preparing a production of Murder in the Cathedral, featuring interviews with Terzieff, his partner and collaborator Pascale de Boysson, and other actors.
1996
Heligonka
Patrick, who has had diabetes for 25 years and is treated with insulin, is gradually losing his sight. He has agreed to laser treatment as the only alternative to total blindness, a treatment that destroys almost the entire retina, leaving only central vision. For three years, the director followed him in his daily life, walking towards darkness, where he learns day by day to touch, listen, guess, feel, and resist. The camera narrows its field of view over time to "see" as Patrick does.
1985
Stop for Bud
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
1963