A humanoid film robot spews its stream of consciousness throughout its allocated screen time.
Angus Liza

The Nicene Creed is a profession of faith, repeated during every Celebration of the Eucharist This is followed by the Prayers of the Faithful, a series of prayer offerings wherein people respond with an invocation. Unwavering Faith is composed of religious images taken using a malfunctioning camera paired with audio from the aforementioned parts of a Sunday mass.

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.
2025

2025

Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.
2024

A dialogue and home video about belonging, from young people living in modern colonial society.
2024
Cosmic horror explores the elements and matter of so-called inanimate nature, which become actors and form a new ecosystem. A stream of depictions of fluid materials embedded into each other is accompanied by an unsettling soundtrack that reinforces the uncertainty of whether we are watching a cosmogonic or eschatological vision.
2024

This experimental film takes a closer look through the entomologist's lens at the cyclical behavioural patterns linking humans to the insect world. Just as the fig wasp inevitably finds death in the pollination of the fig tree flower, we too are thrown into the dance of passion and death. Drawn by the seductive scent of allurement and the inevitability of the final end.
2024

An experimental documentary/animation hybrid exploring likeness scanning, AI, and what that means for identity.
2024

Short film of a general landscape about the saturation of the city. 35mm.
2024

Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.
2024

2024

An experimental short film that traces the emotional landscape of life after heartbreak. Through intimate narration and cinematography, the film reflects on time, healing, and the rediscovery of self. A quiet yet cinematic portrait of learning to love the stranger within, and rediscovering the beauty of simply being alive.
2024

Days slip away in a former baptist church haunted by its past
2024

How do we influence the world around us? A fluid analysis tool ordinarily used in the laboratory offers new interpretations of human interaction and provides surprising insights about our place in the world.
2023

Landscapes, things, men, women and children taken by an "evil eye" more than a century ago haunt the present in this jagged reverie. A persona voicelessly narrates, via captions, going through colonial photographs, digresses to eating fruit and entering a cave on a tropical vacation island.
2023

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.
2023

A film of and through the trees. Leaves catch, consume and resist the light through the seasons.
2014

Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.
2014

2012

Welcome to the funbubble! Over 2 hours of bizarre entertainment. Meet Shaye Saint John, former supermodel who now has no arms or legs and her special friend Kiki (a burnt doll). This series of shorts documents the daily collision of Shaye's glamorous fantasies with the realities of the physical limitations of her everyday life. These films with their juxtaposition of child-like imagery can be genuinely disturbing without a hint of blood, violence, nudity, cursing, or off-color subject matter of any sort. Watching Shaye do her schtick is akin to watching a segment of one of John Waters' early flicks. There is no question about the fine line between maddness and genius here -- it's madness, plain and simple, dizzying in its detachment to reality. Depending on your outlook, Shaye Saint John is either a true testimony to the power of art to rise above adversity or these films are hidden footage from a ward for the criminally insane!
2006