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The Idiots Who Started The Party
Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.
2020
When Danish Film Crosses the Line
Sex, animal cruelty, Jesus and politics! Movies evoke emotions - some more than others. In this documentary, Maria Månson explores the Danish films that have outraged, angered, provoked... and have put Denmark on the cinematic map. This is a celebration of those who dared to step across the accepted border between good and bad.
2020
Chennai Palani Mars
An aspiring scientist and a musician, both peculiar by nature, set out on an ambitious trip to Mars.
2019
Unexpected Journey
Lasse is an old racist who has lives in an apartment block filled with a selection of refugees and immigrants. Kamal is a 16-year old boy who's fed up in his life in Finland, and dreams of moving to Nairobi to live with his father. Only problem is that he doesn't have the money to buy the ticket.
2017
Uma Mulher do Outro Mundo
2017
TV-jubilæums show
2001
DR 75 år
2000
Fashion Health Story
An adult comedy about preparatory students and a "fashion health" massage parlor.
1991
Huh?
While drinking a beer and watching TV, a man sees an unusually aggressive commercial for a local health food store.
1991
Double Dealing
The servant girl of a wealthy young man helps him fend off criminals who are trying to steal his property.
1923
Crossed Wires
Marcel Murphy, a telephone operator with society aspirations, overhears Mrs. Benson's conversation describing a party she is planning for her son, Ralph, and wangles an invitation by imitating Mrs. Benson's voice. At the party a maid accuses Marcel of the theft of another guest's jewelry, but she appeals to Mr. Benson, who covers up for her by describing Marcel as the daughter of an old friend and by secretly installing her in a hotel suite.
1923