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Richard Strauss: Der Rosenkavalier @ Zurich Opera House

When Strauss and Hofmannsthal wrote «Der Rosenkavalier» – setting it in an imaginary Rococo Vienna and yet closely linked to the decadent fin de siècle – they created a profound social comedy. It is not without melancholy that the Marschallin lets her young lover Octavian go when he falls head over heels with Sophie, who hails from Faninal’s bourgeois household. As voluptuous as Strauss' score is, it contains tender moments of dream and melancholy. Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. Joana Mallwitz, chief conductor at the Konzerthaus Berlin, conducts the Orchester der Oper Zürich.

2025

Royal Opera House: La Bohème

Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist. Jones brings a considerable break with the past in his approach, pointing the way towards thought-provoking possibilities for the work, though it is a clearly a show that defers to the need for regular revival and breadth of appeal.

2020

Johann Sebastian Bach: The Well-Tempered Clavier, Book II, Sir András Schiff

Distinguished Bach specialist Sir András Schiff returned to the BBC Proms in 2018 to present Book II of The Well-Tempered Clavier. Bach's effortless brilliance and new-found sonorities push harmony and counterpoint further than ever with a combination of ancient and modern styles, church austerity and galant lightness. Schiff has said that no-one combines the sacred and the secular as Bach does, and this is comprehensively demonstrated in Bach's fascinating and challenging sequence. This performance in the Royal Albert Hall was described as a musical meditation for our troubled times by the Independent.

2018

The Metropolitan Opera: Don Giovanni

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.

2016

El Sistema at the Salzburg Festival

2014

Artaserse

Live broadcast of the opera performance held on November 10, 2012 at the Opéra national de Lorraine in Nancy, performed by five world-class countertenors.

2012

Bauçà

Changing colors according to the music.

2009

Four Minutes

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

2006

Verdi La Traviata

This DVD of a live 2005 performance from the Zürich Opera under the musical direction of Franz Welser-Möst has many things to recommend it -- the young tenor Piotr Beczala as Alfredo, the marvelous Thomas Hampson as Giorgio Germont, the playing of the Zurich Opera orchestra, the simple but effective sets by by Erich Wonder, the uncluttered stage direction by Jürgen Flimm. It also has some flaws: strangely variable volume level of the recorded sound sometimes coming on so loud as to make one reach for the volume control, and the uneven performance of the Violetta, Eva Mei who, for all her merits, gives a dramatically effective performance marred by occasional difficulties with vocal production. Still, overall I felt this was a moving production, one that I would recommend, although perhaps not as an only DVD of one of Verdi's most popular operas.

2005

Stabat mater

1991

Not Mozart: Letters, Riddles and Writs

Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.

1991

Das Mauerkonzert

1989

Der Goggolori

1987

Die Nacht aus Blei

A surreal movie by peter Weigl starring Michael Biehn and Lubomir Kafka.

1985

Cavalleria rusticana

Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.

1982

Louis Riel

Opera by Harry Somers portraying Metis leader Louis Riel and his Northwest Rebellion. 1969 CBC-TV production based on the original 1967 opera.

1969

Abesalom and Eteri

Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.

1967

Rusalka

The water fairy Rusalka falls in love with an earthly prince. In vain, Father Aquarius warns her. Her sincere feelings are met with human treachery...

1963

A Cossack Beyond the Danube

A Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.

1953

Cossacks Beyond the Danube

Adapted from the opera written by the composer Semen Hulak-Artemovsky.

1937