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Cuceteiras VII: "Cucesniff?"
Amid the explosion of colors, sounds, and excesses of Olinda’s 2025 Carnival, Cuceteiras VII: "Cucesniff?" dives into the behind-the-scenes of a house that becomes the epicenter of partying, chaos, and connection. A group of friends shares a roof during the most intense days of the year, living a routine filled with alcohol, drugs, unexpected guests, and catchphrases that go viral among revelers. Between laughter, hangovers, and confessions, the documentary captures the raw intensity of human connection when the masks come off — or multiply. A chaotic, honest, and irreverent chronicle of youth, freedom, and the unmistakable heat of Pernambuco’s carnival.
2025
Today I Will Only Come Home Tomorrow
Each person is a Carnival and Marina knows which one she is. On the slopes of Olinda she seeks the ecstasy of carnival revelry, the music, the shouting, the heat, the joy, the love. Her journey is seen through the eyes of ten different characters, and for each of them a director lends their artistic view. But in the midst of so many people, marching bands, encounters and misencounters, how can we find Carnival?
2024
A King Like Me
Follows members of the Zulu Club, New Orleans’ first Black Mardi Gras, as they work to bring the Zulu parade back to the streets for Mardi Gras Day 2022, in the face of a global pandemic, hurricane Ida and the loss of members due to COVID and gun violence.
2024
DAZZLEDDARK
Made for a show beside the seaside in Margate.
2023
Carnaval
Digital influencer Nina finds out about her boyfriend's betrayal and ends the relationship. So, she decides to travel with her friends to Salvador and enjoy the city's Carnival. During this period, they gain more followers and learn the true meaning of friendship.
2021
Carnaval Claudia Leitte: We Can Do It!
2021
Nao ’t Zuuje
2018
Donaire y Esplendor
In the traditional carnival of the small town called Las Tablas, there are two rival streets: Up Street and Down Street. A young couple, after an unexpected encounter at the airport, fall hopelessly in love.
2017
Labyrinth
2016
Apaixonados: O Filme
Three couples meet in the middle of Carnival, trying to get together in the midst of various conflicts that have the biggest party in Brazil as a scenario - and often as a cause.
2016
De Raad
2012
Biografía de un carnaval
Short documentary recounting the history of the Santiago de Cuba carnival.
1983
Black Orpheus
Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu's vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim.
1959
Los pueblos dormidos (por la Quebrada de Humahuaca)
Documentary about the kolla people living in North Western Argentina.
1947
Tererê Não Resolve
Three couples, two already living in Rio; and the third, with 'the one who hates carnival', coming to visit an aunt. One of the women bets that all husbands are unfaithful. They send invitations to their husbands to the carnival ball. They find a pretext to be able to attend. They, in turn, go in disguise, just like the maid. Hence the confusion at the ball, each one dating the other's wife.
1938
Making Faces
Short comedy from the Théophile Pathé company.
1907
Carne Vale
La casa del Carnaval
Trans and queer communities shaped carnival traditions in the Canary Islands, exploring their historical role in developing costumes, performances, and celebrations that define the region's festive identity.
Beppie Kraft - Limburgs fenomeen
The Mystery of the Black Domino
"The Mystery of the Black Domino" was the first film directed in Brazil by a woman, the pioneer Cleo de Verberena. Marcos and Virgílio are medical students and share the same room. At the end of the first night of carnaval, Marcos finds the corpse of a woman, dressed as a black domino, inside the closet and accuses Virgílio of murder. Virgílio defends himself by saying that that was Cleo, wife of Commander Fernando Almeida, and that he found her in the corso asking for help, but Marcos questions Virgílio about the veracity of the story. Lost Film.
1931