Images complement what is always lacking in words. The poems complement what is always present in the city. Freely inspired by the poetry Cidade City Cité, by Augusto de Campos.
Lorena Durval, Gabriel Cardim, Vitória Maltez, Raisa Lima, Kauan Oliveira, Manuella Pedra, Letícia Mendes, Raquel Ferreira

2025

2024

Examines the implications of Christian Nationalism, how it distorts not only our constitutional republic, but Christianity itself, and asks the question: What happens when a faith built on love, sacrifice, and forgiveness grows political tentacles, conflating power, money, and belief into hyper-nationalism?
2024

Pussy Riot make a comeback after a long absence to stand with Ukraine. Their story and their struggle are told through archival footage and interviews with the group’s members.
2023

Montreal — one of the few remaining affordable cities in North America — is now in the midst of an unprecedented housing crisis. An intimate portrait of socio-political resistance, this multilayered film explores the human impact of real estate speculation on the cities of tomorrow.
2023

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
2023

Two instants separated by 99 days conflict with each other.
2022

Performative and expository documentary, which highlights the contrast of experience among transgender men in Brazil. The short film brings five characters - Kenai, Caetano, Augusto, Pietro and Daniel -, each one reflecting a different reality.
2022

The trembling starts in his neck when Markus gets closer to the images that have chased him for 49 years. Now he steers his motor home south, as far away from his past as possible.
2021

The experiences of five free-spirited individuals trying to break free from societal norms. Each narrative discusses creativity, mental health, labor activism and gender politics.
2021

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.
2012

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
1981

Guy Debord's analysis of a consumer society.
1974
Short film about Hitler's rise to power in 1933
1960

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.
1958

Short film about the formation and extraction of petroleum
1941

A warship is displayed
1939

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
1933

Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
1932

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
1927