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2 1/2 hour-documentary on the rise and fall of one of the most controversial Italian genres every created. Starting with Deep River Savages arriving to the infamous Cannibal Ferox.
Ruggero Deodato, Umberto Lenzi, Giovanni Lombardo Radice, Roberto Donati, Massimo Antonello Geleng, Marcello Avallone, Sergio Martino

Through dramatic reconstruction and documentary asides, the spirit of Italian poet, playwright, journalist, aristocrat and army officer Gabriele D’Annunzio is captured, presenting the nascent fascism in his attempts to forge a new state in the aftermath of the First World War.
2025

2023

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
2021

2021

Documentary from Kiwi filmmaker Florian Habicht on the most successful haunted attraction in the Southern Hemisphere, Auckland’s Spookers.
2017

An extensive look at the making of Fright Night (1985) and Fright Night Part 2 (1988) featuring exclusive interviews with cast and crew members, rare photographs, behind-the-scenes footage and more.
2016

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
2014

The bizarre history of Filipino B-films, as told through filmmaker Andrew Leavold's personal quest to find the truth behind its midget James Bond superstar Weng Weng.
2013

2011

This is the true story of a love triangle that takes place entirely online. Lies lead to murder in real life, as a teenage vixen (screen name 'talhotblond') lures men into her web. Revealing a shocking true crime story that shows the Internet's power to unleash our most dangerous fantasies.
2009

Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.
2009
Where is Erika Spawn and does she have blood on her hands? The Devil's Music documents the strange story of the notorious shock-rocker whose rise to fame was marred by a series of violent incidents and terrifying rumours.
2008

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
2001

About a group of door-to-door salesman who try to sell vacuum cleaners from "Vorwerk", a German manufacturer.
1999

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
1997

A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.
1996
Forrest J. Ackerman styles himself as the number-one fan of science fiction and horror movies, and he has the collection to back it up: more than 350,000 books, publicity stills, lobby cards, props, posters and paintings related to his obsession.
1991

What question has plagued mankind more than the mystery—and terror—of death? This forbidden pursuit has driven Dr. Frances B. Gröss to the brink of madness, but in his obsession, he has amassed a uniquely comprehensive collection of films that depict life in its final, grueling moments. From the savagery of cold-blooded murder to the perverse realities of war, tragic accidents, and the everyday lives of those who collect, dissect, and bury the dead, this descent into morbidity lays bare a truth that all of us will one day face.
1978

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
1965

Photograph of King Vittorio Emanuele III. The ship Italia, formerly König Albert, under the command of Count Carlos Grenet and with the Italian ambassador Giovanni Giuriati, entering the port of Rio Grande, on May 2: events and groups of Italian reservists for their reception; popular and authorities, representatives of societies and the cities of Cachoeiro and Pelotas, music band, including a representative of the fascism of Caxias, present at the reception.
1924