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Breaking a centuries-old taboo, Ava stands as the first woman in Iran to master the male-dominated craft of carpentry. Within the grit and clamor of the workshop, she confronts a society that deems her presence forbidden. This observational documentary captures her daily battle against physical hardships and social judgment.
Ava Kiyani

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

With her short red hair, expressive face, vitality, and playful acting style, Shirley MacLaine stands out in the Hollywood pantheon. Driven by a volcanic personality and iron discipline inherited from classical dance, she has constantly reinvented herself, from the girl next door to the eccentric old lady she plays on screen today, proving at 91 that there is a place for actresses of all ages. A refreshing portrait featuring film clips and archival footage, particularly those in which this talk show regular exercises her sharp wit.
2026

In the silence and darkness of a trembling mountain, we discover the underground world through the eyes of a boy, an old miner and a woman. Where sweat mixes with the blood of history, a story emerges about colonial heritage and the endless cycle of exploitation.
2025

A journalist and a photographer set out to memorialize the bedrooms left behind by children killed in school shootings.
2025

2024

In this poignant film, the story unfolds through a heartfelt letter from a mother to her son, Jacob, reflecting on the loss of his other mother. Through flashbacks and the sharing of memories, we witness the love story between Adrianna, a dedicated OSI agent, and her wife, Heather, as they navigate the challenges of military life under the "Don't Ask, Don't Tell" policy. Despite the constant fear of exposure, their bond grows stronger. Adrianna's eventual deployment to Afghanistan, where she serves with valor, ends tragically, leaving her family to grapple with the devastating news. The narrative captures the enduring love and strength that Adrianna instilled in her family, her commitment to her duty, and the bittersweet reality of their shared dreams cut short. The film closes with a reflection on the end of America's military involvement in Afghanistan, juxtaposing personal loss with historical milestones, and a message of gratitude and resilience for the future.
2024

From disturbing viral video trends to the monetization of family life, this investigative work delves into the dark consequences of parents sharing private moments of their children’s lives online. Through raw firsthand accounts, it reveals how an obsession with profit and online fame can enable the manipulation, mistreatment, and erosion of childhood innocence when posted for the world to see.
2023

Mina Smallman’s daughters were murdered. As their killer and police who took selfies with the bodies come to trial, she shares her journey of grief, rage and faith with Stacey Dooley.
2022

Eva’s being allowed to leave the psychiatric institution she’s lived in for six years. After a long year of waiting, the news arrive: an assisted living residence is found for her. Eva takes the first steps towards the "normal" life she longs for: to find a job, earn an income of her own, visit her mother... even find love. While she’s taking stock of her past and works on her self-confidence as well as her trust in the outside world, she also fixes firmly on her main goal: to reconnect with the son she lost custody of 20 years ago and ask him to forgive her. The First Woman is a film about second chances, the search for "normality" and the borderline between lucidity and darkness.
2021

A mother determines to see her son faced with autism and depression overcome challenges, along with support from family, the community and teachers.
2019

Allegations of a significant elephant-poaching problem in Botswana have sparked a political row between the president and his predecessor. As Alastair Leithead reports, the issue has ignited a national debate over whether there are too many elephants and whether hunting should be re-introduced.
2019

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
2013

2008
The Making of feature for the George Lucas movie 'THX 1138'.
2004

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
1994

A tribute to the late Pat Schulz, an influential Canadian feminist.
1987

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
1976

Poet John Betjeman is shown visiting locations including Vauxhall Park, Aldersgate Street station, Camden Town and Hatfield, where he recites a handful of his poems.
1959

Canberra, the National Capital of Australia, is a city which has been planned; a place where modern living is enriched by a lovely setting. But the hustling young city of today is expanding and developing, and there is emerging the pattern of the proud city of tomorrow.
1959
Citizen Film collaborated with the African American Cultural and Historical Society to produce an initial short film on African American migration, which was screened at African American Art & Culture Complex and other cultural venues around the city during Black History Month, February 2019. This first iteration of the migration stories will pave the way for Citizen Film’s collaborative process with the historical society to include a chorus of voices documenting personal and social histories.