Apostles of Cinema follows Frank, DJ Black, and Rehema — three devoted film workers in Tanzania — as they reintroduce a classic piece of the country’s film history to their audiences of working class cinephiles. We join them, alongside Maangamizi: The Ancient One (2001), on a journey through the labyrinth of informal libraries, studios, and cinemas that exist to keep film and film culture alive. A testament to the profound cultural value of film when made truly accessible.

The extraordinary story of home video in Bulgaria. A lyrical first-person journey into the genuine love local video pirates had for cinema – and their hard-won path toward professional mastery. A chronicle of a wondrous adventure that begins on the small screen of an old television set and ultimately reaches the big screen of the modern cineplex.
2025

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.
2024

2024

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.
2024

A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.
2023

A playful engagement with memory and moving images, employing experimental visuals, voice journals, and staged dialogs.
2023

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
2022

From June 2021 to June 2022, Justin "Jastun" Bland records whatever that is in front of him. He presents an abstract montage of collected videos varying from onscreen recordings to filming special, intimate & mundane in-real-life moments. This short captures our daily routines in life and how we choose to spontaneously record them.
2022

"Ang Pagbabalik ng Ibong Adarna,” looks into our lost film history and the fight to restore and protect films for the future generations. It focuses on “Ibong Adarna,” one of only six surviving pre-war Filipino movies and the first Filipino film partially made with color. Jeff also follows the story of Mila, one of the movie queens during the golden age of Philippine Cinema, who passionately fought to protect the industry she loved.
2020

The passionate advocates of the ‘Cigar Box Guitar Revolution’ express their love of making unique instruments and the democratic, re-cycling ethos of the movement. Many are from the UK’s northern, post-industrial towns, recreating self-identity through hand-made guitars. Their emotional connection with their instruments creates a unique sound which is quite magical. A cinematic short, subsequently commissioned by the BBC as Cigar Box Blues. Festivals include: Woodstock, Nashville, Albuquerque (Honourable Mention)
2019
Documentary about the Buster Keaton short Hard Luck (1921).
2011
Ben Model discusses scoring music for silent movies.
2011

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).
2011

Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.
2011

Documentary short regarding the preservation and restoration of the worldwide remains of the Keystone films.
2010

Argentinian film historians find a complete print of Fritz Lang's “Metropolis” (1927) at Buenos Aires Film Museum and take it to Germany for its restoration.
2010

Aquaponics master Murray Hallam takes you into the world of Aquaponics and explains how you can grow clean, fresh and organic fish and vegetables in your own backyard.
2008

Stories of maniac sailors, anarchist castaways, and the voyage of the S/V Pestilence: a video zine three friends and I made about finding a derelict sailboat, fixing it up, and sailing from Florida to Haiti.
2008

American Failure takes an in-depth look at the music scene in Boone, North Carolina, focusing on local bands Babe Haven, Galloway, Kiss it Make it Better, Educated Guess, Solastagia, and Cigarettes @ Sunset. Through a mix of full-band and individual interviews, live performances at local venues, and behind-the-scenes footage, we follow these bands as they navigate Boone’s DIY music culture before and after the COVID-19 pandemic.
Friends Forever (the band) never plays inside any rock clubs. Instead, they play inside their van outside the club to stunned bystanders. Nate (drums), Josh (guitar), Jen (their lighting girl) and three dogs don't think twice about travelling hundreds of miles across the country to play one 15-minute show in a loading zone. Friends Forever (the documentary) captures their smoke-spewing, generator-powered rock world, and the tour that has them crisscrossing the U.S. in search of the perfect parking spot. No audience is too small, or too baffled, to skimp on the performance when you're on "a mission to save rock."
2001