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Cheung Chau, once a fishing village in Hong Kong, has transformed into a tourist spot. Ri-Tai, a food stall run by A-Cheung, reflects local life, absurdities, and societal realities. A-Cheung spends his days playing games with customers like Plumpy, forming bonds that transcend generations. However, the onset of COVID-19 disrupts this sense of community, leaving the island deserted and questioning whether Ri-Tai's simple way of life will vanish.
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If We Burn
Hundreds of thousands − perhaps even millions − of protestors have taken to the streets of Hong Kong since early June. Sparked initially by the government's plans for a controversial extradition bill, the movement has now transformed into a broader push for greater freedoms and democracy, with anger over police brutality fuelling a cycle of violence. The protests are Hong Kong's biggest challenge to Beijing since its return to China in 1997. If We Burn looks at the movement through the eyes of Hong Kongers whose fates, like their city's future, now hang in the balance.
2023
Hong Kong Mixtape
Political engagement spawned the wildest of wonderlands for Hong Kong’s creativity – but as a new law annihilates freedom of expression overnight, underground artists and creatives find themselves targets, and their works disappeared. Together we race to preserve the creative uprising amid China’s crackdown.
2023
Blue Island
Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.
2022
Revolution of Our Times
Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.
2021
Fear(less) and Dear
Hongkongers have been experiencing extremely difficult times due to the political movement caused by anti-Extradition Bill since the summer of 2019 followed by the COVID-19 pandemic. This film explores Hongkongers’ fear in various dimensions, be it a concept or actual physical experience, personal or political, private or public, or the mixing of these pairs.
2020
We Have Boots
The Umbrella Movement of 2014, also known as the Occupy Movement, paved the way for Hong Kong’s current upheavals, but unfolded in significantly different ways. This creative documentary focuses on the intellectual, political, and discursive underpinnings of the social and political actions of 2014, before fast-forwarding to 2019. A range of thoughtful and engaged intellectuals, students, scholars, activists, and artists including Benny Tai, Chan Kin-man, Ray Wong, and Agnes Chow (many of whom are facing imprisonment for their democratic activism) articulate a range of philosophies, viewpoints and emotions, set against Hong Kong’s spectacular urban background of skyscrapers, night lights, and street-occupying mass movements.
2020
Hong Kong Moments
As pro-democracy activists and armed police battle in the streets of Hong Kong, ordinary citizens are choosing sides. Historically an outlier of both western and Chinese power, Hong Kong wields its own economic force, affording the city and its people a spirit of independence that has now erupted into clouds of tear gas. Filmmaker Bing Zhou uses a nimble camera to follow a group of protagonists—two opposing political candidates, a tea shop owner, a cab driver, a police officer, a paramedic—on two separate days of conflict. On September 21, 2019, protestors from three districts join forces, resulting in unprecedented violence. Just 10 days later on October 1, the National Day of the People’s Republic of China, previously undecided onlookers show their stripes. Thoughts transform into action in this demonstration of how mercurial and personal Hong Kong’s politics have become.
2020
June
I made June when I didn’t have any inspiration to create a feature film. The documentary is about the rarely known stories in the social movement in June. At first the clips of videos were kept for sorting out my feelings, but after being edited, they were made into a documentary and became a record of history. Six scenes and voices were used to tell what happened during that month.
2020
Migrant Down the Rabbit Hole
The work documented the story of Yuli, a Hong Kong domestic worker from Indonesia. She is a novelist who won a literature award and also a journalist dedicated to writing. Between the social event that happened in June in Hong Kong, her thoughts and caring about the city are far more from what people used to imagine a narrative of a domestic worker. They are not only domestic workers but they also have other social roles, e.g. a citizen who lived in Hong Kong.
2020
Age of Valiant
At the forefront of most of Hong Kong's demonstrations, 'frontliners' (aka 'the valiant', yung mo in Cantonese) are the black-clad, masked, often armed youth willing to use violence against the HK government and its heavily-armed police force. Willis Ho's remarkably revealing doc approaches from the inside, giving them voices and offering understanding, not judgment.
2020
Do Not Split
The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.
2020
Black Bauhinia
Two young Hong Kong activists reflect on their resistance against China, are forced to decide between long-term imprisonment and refugee camps for a life in exile, while their movement inspires mass protests in the city they love.
2020
Trial and Error
This Anti-ELAB (Anti-Extradition Law Amendment Bill) Movement documentary short takes us back to the airport occupation on 12 August 2019. Although this new form of protest soon turned into a crisis, it became an important lesson for the protesters. Compared to the tension inside the airport terminal, the long walk home at sunset on the Lantau highway, which connects the Hong Kong International Airport to the residential areas, felt like a reminiscence of a school field trip.
2020
Notes before the Wind
A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.
2020
Like an abortion, for the very first time
The Umbrella Movement was a wave of street protests that took place in Hong Kong from September to December 2014 as a reaction to oppressive practices of the Chinese government against the citizens of Hong Kong dissatisfied with planned changes in the electoral system. In her feature film debut, To Liu captured the citizens of the western part of Kowloon, Mong Kok, whose protests might not have been as visible as those of the leading activists, but were no less important. The documentary rhythmized by opening entries and darkening of the scene, much like the director’s first film, follows two characters, a master and an apprentice.
2018
YP1967
Everyone has their secrets. Everyone has the past no one’s heard about. But what makes an entire generation sit in stunned silence with unmentionable hesitation to talk about their past? Even the past was 50 years ago. Five decades after the Hong Kong leftist riots, six ex-young prisoners speak out for the first time about their personal and unmentionable experience. Documentary film YP1967 is about their love and hate towards their country, their honour and dishonour as a convicted criminal, their condonation and condemnation of the parties involved, and their truth-seeking and reconciliation with the past.
2017
Freedom for the Wolf
The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.
2017
Pseudo Secular
They are frozen in place, stagnating without any direction. Around them, things change rapidly.
2016
Lessons in Dissent
A vivid portrait of a generation of Hong Kongers committed to creating a new more democratic Hong Kong. Schoolboy Joshua Wong dedicates himself to stopping the introduction of National Education. Whilst former classmate Ma Jai fights against political oppression on the streets and in the courts. Catapulting the viewer on to the streets of Hong Kong and into the heart of the action. The viewer is confronted with Hong Kong's oppressive heat, stifling humidity and air thick with dissent. Filmed over 18 months this is a kaleidoscopic, visceral experience of their epic struggle.
2014
Raging Land 3: Three Valleys
After the anti-express rail protests, Choi Yuen Village’s struggle did not end with the railway project approval. Villagers shifted from fighting demolition to painstakingly relocating and rebuilding their community. In 2011, they planned the new village together—including house design, sewage, and land use—while facing government pressure to move out by November. Road access issues caused additional worries. As demolition began, villagers stood together to protect their homes and demanded time to build before moving. By May 2011, villagers left their longtime homes for makeshift housing on newly bought farmland, continuing their collective effort. Their unity in overcoming countless challenges set an example for other rural communities and shows that real resistance is a long journey requiring ongoing attention.
2013