Armed based on photography, period films, archival materials and testimonies of survivors, family members and historians, the documentary accurately and exquisitely reconstructs the course of the “expropriating anarchists” in the Río de la Plata and specifically in Montevideo del First third of the 20th century.

In Germán Araujo, director Aldo Novick revives the memory of a journalist who defied censorship during one of Uruguay's darkest periods. Through previously unseen archival footage, testimonies, and music, the film honors the courage of those who reported the truth when it was risky. This powerful documentary is shaping up to be one of the most important Uruguayan film releases of the year.
2025

ECO/FEMINISM is an essay film that explores the philosophical theory, ‘ecofeminism’. The idea combines feminism and environmentalism and argues that the oppression of women and the degradation of the environment are interconnected and result from patriarchy and capitalism. This film imagines what a radical restructuring of systems, from patriarchy to matriarchy may look like, and dives into the historical roots of ecofeminism and how it is manifesting currently in climate activism.
2024

In the land of axé music, old punks resist and live independently.
2024

This documentary captures a deeply personal journey by Argentinian actor and musician, Nicolás Pauls, to the Uruguayan coast. This area hosts two of the world's foremost sea lion colonies. Isla de lobos and Cabo Polonio. A famed sanctuary for hundreds of thousands of sea lions. Pauls presents the two sides of the complex conflict between the local artisanal fisherman, struggling to earn their living and the sea lions who risk their survival in leaving the boundaries of the island.
2023

For decades, the name of the Valencian anarchist César Orquín Serra responded to that of one of the 7,251 Spanish republicans deported to the Nazi concentration camp of Mauthausen-Gusen between 1940 and 1945, although the controversy surrounding his role as Chief of Kommando pursued him with the survivors, divided between those who highlighted his actions to help the survival of his men and those who accused him of collaborating with the SS.
2023

Punta del Este was built upon a small, treasurable port town still alive in the memories of former residents and visitors. However, talk of progress has arised in present times. A kind of progress involving physical, historical, spiritual destruction. Bajo la Arena poses a crossroads between the passage of time and its ever-present traces in the landscape and in people's affections.
2021

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
2020

2019

Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.
2019

2018

In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.
2018

Documentary about the musical artist and drag queen Pady Jeff produced by students of the Social Communication degree at the Catholic University of Uruguay.
2018

Documentary about the birth and development of candombe in Uruguay. It is built through testimonies, audiovisual files and animations. It also covers the actuality of the candombe on the shores of the Río de la Plata.
2018

Black Snake Killaz is a feature-length documentary film about the resistance to the Dakota Access Pipeline. This film explores actions taken by water protectors to stop the construction of the oil pipeline and highlights actions taken by law enforcement, military, and corporate mercenaries to quell the months-long protest. Black Snake Killaz timelines the historical events that unfolded in Standing Rock throughout 2016 and brings you the raw experience from many frontline actions to protect the water. Although the Dakota Access Pipeline is completed, the impact of the movement will be long-lasting. As fossil fuel extraction projects continue to impact some of the most vulnerable communities throughout the United States of America, the importance of the water protectors story grows.
2017

A documentary about Who's Emma, a collective of punks and anarchists that existed in Toronto's Kensington Market from 1996 to 2000.
2009

A north to south canoe trip along quiet bodies of water of Uruguay, exploring the fauna and flora amidst the wilderness.
2008

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.
2006
A portrait of the leading female Bolshevik (and later Worker’s Opposition) revolutionary leader Alexandra Kollontai using her own words.
1983

A documentary revolving around the 1972 crash of the plane carrying an Uruguayan rugby team; interviews with survivors and the families of victims.
1976

Guy Debord's analysis of a consumer society.
1974