Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!
Alex Agnew

The first show by the Dutch comedian Kasper van der Laan.
2022

TV-adaptation of the fourth solo show by Dutch comedian Louise Korthals. In her own words: "This show is about what we pass on to the next generation."
2021

Xander De Rycke has had enough. Comedian Xander De Rycke has a new project. The creator of the popular podcast "Mosselen om half twee" (Mussels at half past one) is releasing a special about his secret love: the Flemish media landscape. Over the past year, De Rycke has watched just about every Flemish film and TV program.
2016

Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.
2016

2015

Registration of the fourth theatre program by the Dutch comedian Pieter Derks.
2014
2014

Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'
2012
2011

The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.
2009

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.
2009

Two lonely brothers and two failed artists.
2008

In dit tweede solo-programma komt hij nóg harder, nóg scherper en nóg pikanter uit de hoek. Gevoelige toeschouwers weze bij deze gewaarschuwd: geen huisje - heilig of niet -blijft overeind, geen thema onbenut. "Morimos Solamente" bevat geen theatrale structuur (heeft dat ook niet nodig), maar kan je best omschrijven als anderhalf uur fantastisch verbaal geweld. "The World According To Alex Agnew" dus…
2008

If you're feeling down and you don't really know why. If you want to have a good laugh. If you don't understand much about the world, and even less about people. If you don't get what you think you deserve because they don't see you, the idiots. If you can count on one hand the number of times you've felt free and carefree in the past year. If you want to smash things but don't dare.
2007

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
2006

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.
2004

Registration of the second theatre program by the Dutch comedy duo Plien (van Bennekom) & Bianca Krijgsman.
2001

2001

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
1998

The show of Toon Hermans anno 1991
1991