
With her short red hair, expressive face, vitality, and playful acting style, Shirley MacLaine stands out in the Hollywood pantheon. Driven by a volcanic personality and iron discipline inherited from classical dance, she has constantly reinvented herself, from the girl next door to the eccentric old lady she plays on screen today, proving at 91 that there is a place for actresses of all ages. A refreshing portrait featuring film clips and archival footage, particularly those in which this talk show regular exercises her sharp wit.
2026

Bandits, Bandits, Brazil, Munchausen, Twelve Monkeys, not to mention the crazy Monty Python saga... With their visual extravagance and ever-fresh originality, amplifying his vision of a humanity that is as disturbing as it is comical, his films have made history. In the same baroque, zany, but also tragic vein, Terry Gilliam's work and life merge into an adventure that borders on the epic.
2026

The antithesis of the virile heroes of his era, James Dean shook up the representation of adolescence and masculinity in three films shot in 1955, the same year he died in a car accident at the age of 24—exactly seventy years ago: Rebel Without a Cause, East of Eden, and Giant. This meteoric rise made him an instant icon, frozen in eternal, rebellious youth, which still resonates strongly today.
2025

Tom Volf invites you to delve into the fascinating world of Véronique Sanson, a living legend of French chanson. After several years of research and immersion, he is unveiling an intimate and sincere portrait of the artist in a film event. The fruit of his encounter with the singer, this project highlights the raw emotion and beauty of her career.
2025

For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.
2025

Greek Sarakatsani community members, a former group of nomadic animal breeders, share personal experiences and discuss the concept of identity in today's world. A tribute to collective memory through an experiential journey that sets out from the past, progresses into the present, and contemplates the future.
2024

Desperate to become as rich and successful as their idol, a trio of Michael Jackson impersonators hustle their way into Hollywood agencies, are accosted by paparazzi, and cross paths with Grammy-winning musicians as the American dream seems tantalisingly close. But as they perform for dollar bills and sleep in their car, the reality of the ruthless entertainment industry they dream about hits home.
2024

Filmmaker Herbert Alfonso and musician Glenn de Randamie travel to Ghana to do some research on polyrhythm and the West-African spirituality. However, their trip to The Motherland makes them realize that home is more than the place where they grew up. Years later, they recollect their faded memories and try to find the right words to describe their intense experience. What exactly made them feel at home and lost at the same time? What does being home actually mean for a black individual from Europe while visiting Africa? Only abstractions seem to persevere as this colourful and musically-charged collage serves to show how a life-changing experience can leave us with nothing but fragments of a truth that has yet to be discovered.
2023
2023

2021

Over a dozen students at this school in Quebec were radicalised. To tackle the issue, a pilot project was launched to heal divides within the student body. It's a hybrid cultural model, made up of the many cultures of its students.
2020

2017

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”
2013

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
2013

This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
2008
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
2004

What compels a man to push the limits of what is attainable ever higher? After thirty years of relentless struggle with the highest peaks on earth, Marc Batard has finally found the answers to these questions. He had to reach the summit of Everest twice, once shattering the record for fastest time in 24 hours without oxygen, and climb the most difficult faces of the Alps to glimpse the path to inner healing. It was through physical suffering that he was able to confront the pain of his soul. He was finally able to talk about the violence of his childhood, the shock he carried like a ball and chain for decades. Having completed his summit therapy, Marc Batard tells his story in this documentary by Gilles Perret.
2004
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
2003

A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. Teaching nursing to local women in a strict Muslim culture that forbids them to even to touch men is a formidable task. However, Grace challenges her own values and belief systems to find common ground with her students, helping them to excel and feel respect for themselves in a culture that doesn't respect them. Whether it is getting her hands painted with henna, swimming fully-clothed in the ocean, or marching bravely with them on International Women's Day, Grace bonds with her students in a very special way, and ultimately discovers how the West can learn a lot more from the Third World than she ever thought.
2001
