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During a drawing workshop, a girl traces on the wall of her room the memory of her sexual abuse; a young woman recalls the night in which the deception of those she once called friends turned into harassment. By sharing the stories with other girls and women, they realise that these are not isolated events but fragments of a shared wound.
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Hide and Seek
This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.
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ABSOLUTE CINEMA
A fresh out of university film graduate decides he is fed up with the current state of cinema, with big releases only ever being franchise films or reboots. A documentary crew follows him as he sets out to create the greatest film of all time.
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Baptist Fernandes is an undertaker by trade, but he has dealt with death all his life.
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The physical media format of film is in a constant state of unease, but what happens when industry professional and legally blind business owner, Shelby McIntyre, takes it upon himself to open Tampa’s only true video shop?
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Camera Tortura
The director, a young man in his thirties going through a life crisis, approaches his estranged parents to help him paint his apartment. Conversations accompanied by a paint roller and paint thinner open up old wrongs while revealing the complexity of interpersonal relationships. The absence of communication, or the lack of will to communicate, as a symptom of contemporary family ties, stands in contrast to caring for a family of pigeons that has made its nest on the director's balcony. The film, in its civility and authenticity, follows the lessons of a book dedicated to amateur filmmakers and thus enters into a subversive dialogue with the paradigms of film pedagogy.
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Rat Race: A Short Documentary
Join College Student Parker Bennink and he interviews four of Rowan University's most prolific filmmakers, to uncover what life as a student filmmaker is really like in today's day and age.
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99 days
Two instants separated by 99 days conflict with each other.
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Tangled Roots
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Taurophilia
Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur. The subdued basement space in which the man meticulously studies the motionless flesh of the animal is preceded by a sunlit, empty arena in Spain, the stage in which the bull is presented in its full glory before facing man.
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The Faces of Parkinson
The Faces of Parkinson shows the people who suffer from Parkinson's disease and the impact it made on their life and people around and close to them. As it also asks the question how one continues to stay positive with such a destructive disease.
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Roma Boys – The Love Story
The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.
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ELFilm
A minimalist portrait of ultimate love.
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Litanie
Elen Řádová and Tomáš Mašín’s student work draws on the genre of action films, which are characterized by emotionally intense and violent scenes. Excerpts from period blockbusters are supplemented with visual effects and edited in a way that drives the particularities of the action film genre to the point of absurdity. The resulting visual whirlwind thus deliberately escalates—and thereby diminishes—the dramatic impact of the original footage.
1993
Life or Death - EMT First Responders
This somewhat bizarre film about Emergency Medical Technicians or EMTs was produced and distributed by Film Commutators in Hollywood, California. The film dates to a time when ambulance crews were being replaced by paramedics / EMTs, who had sufficient training to make medical decisions and give on-scene care. The film makes a strong argument to decision makers in favor of upgrading from mere ambulance drivers to EMTs.
1973
Moravian Hellas
Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
1964
Blocks of Flats
A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”
1960
Ľudia a telefon
1954