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An experimental photofilm in which Thiago, Carol, and Jean document their day for 12 hours straight. Each photographed their routine, revealing the differences and similarities between their daily lives. The film was photographed and edited on the same day.
Ana Beatriz Soares, Ana Carolina Braz, Jader Soares, Jean Guilherme, Marcos Oliveira, Maria Madalena, Thiago Henrique Ferreira

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.
2026

A disorienting realm where reality itself flickers and fragments. Through a visceral exploration of digital distortion and failing verification processes, this challenges your perception and dares you to question what lies beneath the surface. Are we truly awake to the genocides and wars raging beyond our privileged bubbles, or are we content to remain ensnared by manipulated realities? This is a personal call to shatter the illusions, to seek deeper truths, and to recognize the profound fortune of our existence amidst global turmoil.
2025

What if you rediscovered the script you wrote when you were 12? And what if you performed it with real actors, without changing a word? In this unique comedy, actors faithfully bring their director's hilariously bad childhood script to life, while their "Teacher" Michael Smallwood uproariously reacts to the chaos.
2025

A short film about the abstract processes of light becoming a physical form in the landscape.
2025

I enjoy religion, I appreciate belief systems and how they offer structure to people's lives. I also appreciate how spirituality manifests itself in Asian cultures as this almost earthbound presence guiding people through every day life and when they need an extra bit of help they need only ask whichever deity holds dominion over their desire. Here is an experimental film I made with videos from my iPhone. Shot across Taiwan and South Korea. An experimental film I made with videos from my iPhone. Shot across Taiwan and Korea. My aim was to explore success in how it pertains to every day life, the satisfaction of small moments, spirituality, superstition, and daily rituals.
2024

An oblique remake of Nicholas Ray’s On Dangerous Ground (1951), Ray’s Place follows Ray from his haunts in New York City to Binghamton where, exiled from Hollywood, he taught alongside members of the American avant-garde. Participating in both Hollywood’s golden age and the experimental cinema of the 1970s yet at home in neither, what is Ray’s place?
2024

2024

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.
2024

With the aim of finding Desire, so-and-so performs a ritual to go down in the depths of himself.
2023

2023

A couple, about whom nothing is known, finds itself forced to live in the abyss of the end of time-a time when a mysterious fog encompassed all our societal and moral achievements with unequivocal cruelty.
2023

In 2017, a short anime film called Hypersonic Music Club was produced in Japan. It was directed and written by Osamu Kobayashi, a veteran of the industry who passed away in April 2021. For various reasons, this short anime was never released. It was made public on August 1, 2023.
2023

An experimental look into grief, responsibility and the over reliance of media consumption.
2023

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.
2022

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.
2018

A fascinating case of narrative deconstruction, THE SUICIDE SQUEEZE is a '40s style whodunit pressed through the wringer of an optical printer.
1986
A satirical look at suburban life via the "family Christmas letter."
1977
1968

Inspired by Edvard Munch's "Hands"

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.
1962